Video Artisan pride themselves on producing cost-effective video communication tools for business clients. They understand their clients’ needs – and how to achieve their video production goals. This is why more and more businesses are using them for their video production needs.
These articles will keep you up to date with what’s been happening at Video Artisan. Short stories, news updates and comments are published by the company’s founder, Kevin Cook. Kevin has been in the professional video industry since 1985 and always aims to provide his clients with exceptional levels of customer satisfaction. The company motto is, “Under promise and over deliver”. At Video Artisan they always go that extra mile to provide an excellent product at a competitive price.
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In conclusion, the areas of expertise include corporate video, company films and all professional video services. Please contact Kevin Cook for further advice on this website – firstname.lastname@example.org or call 020 83602 3356
When I started Video Artisan back in February this year I had drawn up a list of personal as well as business aims and objectives. One of my personal aims was to win an IOV Award. This wasn’t a short term goal by any stretch of the imagination and not something I was thinking could happen in my first year back in the craft – but I did hope to one day be back in amongst the winners.
You can imagine how pleased I was to get the news yesterday that two of my entries in the 2012 competition have been short-listed amongst the top five in the Open and Documentary Categories! Whilst this is still someway short of actually winning an IOV Award I’m still one happy bunny this morning and really looking forward to finding out their final places on 13th November.
Supadance – Shoes for Dance (Best Open Category)
This was one of my first commissions after going solo and is essentially a day in the life of the Supadance shoe factory set to music. Whilst there is an underlying aim to further establish Supadance as world-leading, London-based manufacturer of ballroom and Latin dance shoes, it’s other objective was to create something eye catching and entertaining for them to use on their website and at exhibitions. It’s what I like to refer to as ‘eye candy’.
Bees & Wasps (Best Documentary)
In case you have not picked up on this up so far, outside of the world of video production I’m also a keen apiarist (beekeeper). This started about 7-years ago and I knew that one day these worlds would collide and I’d start making short films about beekeeping and the honey bee itself. They are a fascinating creature and there’s so many aspects of keeping bees that lend themselves to making documentaries about them. One of the first attempts (and part of the www.beemovies.net website) was to reveal the differences and relationship between the honey bee and wasps (AKA Leather Jacket).
IOV Awards Night
After having spent the last 17-years on the other side of the IOV awards as one of its main organisers I now understand the joy and anxiety the participants and recipients went through each year. I know how tough the competition is so I really wasn’t expecting to get this far – but now I’m short-listed I’m really looking forward to the atmosphere 17th. I want to win of course – but regardless of where I come in either category right now I think I’ve made an amazing achievement in a very short time. Well done me!
When I first launched Video Artisan I didn’t really expect to be asked to shoot a wedding video. I have nothing against this avenue or work – and have total respect for those who can turn out a well crafted and original wedding video – but my eyes and creative desires are firmly fixed on my corporate and documentary work. But as I often say to others… “never say never!”
And when the request comes from the boss (Mrs. C) it wasn’t really something I could say no to! Having been invited to the wedding of one of her work colleagues (that of Clare & Tony) in Ibiza on 7th September we decided to make a short break of it and stay for the week in nearby Es Cana. We hadn’t been back to Ibiza since our own honeymoon (nearly 20-years ago) so it was going to be a trip down memory lane for us too – as well as a fab place to celebrate the union of this lovely couple.
Anyhow, Mrs. C’s hints kept getting bigger and more frequent in the weeks leading up to the trip. “Are you taking your DSRL on holiday?”, “Don’t you think it might be nice to get some pictures, and maybe video of the trip?” I knew where this was all heading and, to be honest, if it’s a “no pressure” deal and I can do what I like I actually enjoy making a wedding video for close friends and family. I did warn them though that I’d not be shooting on a tripod and the final film would be less than 10-minutes.
The last wedding video I produced was for my nephew Paul and Louise – which included a performance of the BBC’s version of ‘Perfect Day‘ – and that was great fun to do. As this was a small wedding, in a really cool location (check it out.. Pura Vida Beachclub & Restaurant, Playa Niu Blau. Just outside Santa Eulalia) I knew this was going to be fun too.
Anyhow – here’s the short. The final DVD we gave them had an additional chapter which just had the uncut speeches on it. I apologise now to anyone who can actually play the guitar as they will immediately spot from my opening cameo performance that I can’t! The music track just seemed to cry out for some visuals to link it all together.
Do you want a Wedding Video?
Would I shoot another one??? Everybody has their price! There’s a whole load of work that goes into making these things professionally (and iron out the corners in the above). If this had been a proper commission I’d have taken out a whole load of additional kit with me, along with another camera person and probably someone to do the inevitable running around that Mrs. C was doing on the day. I’d also have spent more than a couple of days putting it together.
So – yes I would happily take on the right commission at a fair rate of pay – and what that is would depend on what the couple wanted. If you are interested to know what your wedding video might cost please get in touch.
One of my recently completed website video productions was put into action this week. It’s always nice to see your work at work – but even more so when it was produced for that very talented and charming bunch of guys at N2 Visual Communications.
The making of a Video Artisan website video
Every website video job has its challenges but I think this is a good example of what we can shoot in one day and edit in two. There was no script or storyboard to work to – but we did get a good brief from N2 with a clear idea of what they were trying to achieve.
The shoot basically started off with interviewing the MD and the heads of the three main divisions within N2 – namely N2 Print, N2 Display and N2 Digital. These formed the main narrative – and from there we shot various scenes and pieces around their two Hoddesdon, Hertfordshire factory sites (conveniently located a few doors away from each other). It was a fair bit to cram into a one day shoot, and I don’t mind admitting that I was spent at the end of it – but they were more than happy with the end result.
This website video was shot in full HD (1080 25p) on a Canon DSLR and edited on our Edius Broadcast suite in Loughton. It took a day to log rushes, audition music score (see below), produce graphics and get a rough shot list on the timeline – and the second day to tidy things up and master. There was a little additional work that went on after this but in total about two days in post production.
The music was chosen from AKM Music‘s range of copyright free tracks (Album: ‘Cut to the Beat 7’ Track: ‘Light Edition’). The reason I mention this is that clients will often ask to have specific “Commercial” music on their website video. Without being rude, this is nearly always beyond most company’s budgets as the royalties demanded by the record company and the music publisher is normally astronomical – especially when used in broadcast or website video. There is no hard and fast rules on these costs but they like to start talking around the £20,000 mark. As I said – rarely a sensible way to blow your marketing budget.
Ballpark budget on this kind of job is around the £2k mark. Enjoy!
Our marketing efforts on our cine film and slides to DVD services have really started kicking in now. I know that some people don’t enjoy doing this kind of work but I think its a real honour to help preserve and restore my customer’s precious memories this way. I also find it incredibly interesting!
Cine Film and Slides to DVD
When I started Video Artisan I wasn’t going to be pushing this side to the business too hard, and don’t pretend to be the cheapest company around, but I’ve been finding a lot of customers that were initially interested in our VHS to DVD conversions were chuffed to find out that we can convert pretty much any format to any other format.
Anything and Everything Converted
Family collections of cine films are without doubt the most popular – but recently I’ve converted slides, camcorder hard drive contents, prints, PowerPoint slides, 8mm videotape, Betamax tapes, DV tapes, DVCAM tapes…. Having been in and around this industry for over 25-years now I’ve made many, many contacts and I don’t think there’s a video or film format that I couldn’t lay my hands on (or know a man that can) and get material converted to something more up to date.
After two other aborted filming attempts the good weather held out long enough for us to get all the shots we needed at the Clifton Suspension Bridge in Bristol. What an amazing experience – and yes that is me pictured on the chains!
The bridge was designed by Isambard Kingdom Brunel when he was just 24 and was his first major commission. Work began on its construction in 1831 but was stopped in 1843 as a result of financial and political problems leaving only the two towers on each side of the vast Avon Gorge that it was to span. Unfortunately, Brunel never saw the end result of his work as he passed away in 1859 at the age of just 53-years. The bridge was finally completed as a memorial to Brunel some five years later – and what a memorial it is!
The filming assignment was to capture two different aspects of Eiger Safety’s work – namely latchway testing and re-fitting. Atop the bridge chains there’s a latchway cable running their entire length (land-to-tower each side – plus the central long chains) so that the regular maintenance team can safely do periodic checks, cyclic painting and change light bulbs.
The testing was carried on the first day whilst the bridge was still open to vehicle traffic. The footpath was also kept open but restricted to one side – depending on which chain was being tested. The land-to-tower chains on the Leigh Woods end of the bridge were going to be replaced on the following day so these did not have to be tested. Replacement is a lengthy process and cannot be carried out whilst the bridge is open so it’s costly for the bridge authority and is usually organised alongside other planned closures.
In this occasion the planned closure was between 18:00 and 24:00 hrs on 12 August to coincide with final event at the Bristol Balloon Festival which is held just the other side of the Leigh Woods end of the bridge. During this event the bridge is shut to avoid damage that could be caused by around 120,000 participants trudging their way back across the bridge to central Bristol at the end of the festivities. Despite its timeless design, Brunel’s bridge was only ever intended to carry 19th century light horse drawn traffic. Whilst today it handles 11-12,000 motor vehicles crossing it every day, the swaying effect of foot passengers can have a catastrophic effect on any bridge – as witnessed with London’s famous wobbly Millennium footbridge across the Thames which didn’t originally avoid this phenomenon despite its modern design and construction.
Eventually all the latchway cables will be changed but this might be spread over a number of years and, of course, planned closures. In the meantime Eiger have given the original latchway system a complete bill of health so that the bridge maintenance and use can continue safely.
I had thought this was my last day of filming for Eiger Safety but it’s going to carry on for at least another day – this time at one of their sites where they’ve installed and maintain a roof handrail system.
Yep – probably another day on top of some spectacular structure somewhere. It’s hard work, but someone has got to do it. : )