Two new tracks for the Corporate Video Producer

AK159 and AK160
Two more additions to your corporate video music library

Two new tracks for the Corporate Video Producer

AKM Music have added two new albums to their extensive collection lately – ‘Leisure Lifestyles’ and ‘Cut to the Beat Vol.8’. Whilst both albums are aimed at the corporate video producer they’re both going to have an application within other production types too. You simply can’t have too much choice when it comes to your corporate video copyright-free music collection so these two will fill in where other albums fall short.

AK159 Leisure Lifestyles

AK159 Leisure Lifestyles
AK159 Leisure Lifestyles

This album contains ten tracks, each with an additional alternate mix and short version. As the name suggests these tunes are for helping to portray a more leisurely lifestyle with their cool, relaxing rhythms and easy-going beats. The album description suggests they’ll be great for corporate video producer specialising in property or location documentaries and promotional films – and I can’t argue with that. If you are producing hotel or resort promos then this is certainly one to audition and add to your collection.

1. The Perfect Accommodation 2:30
Bubbling synth sounds take us off to a warmer place – certainly warmer than the day I’m looking out of the window at right now! A medium paced track that you can imagine twinkling away under a corporate video narration telling you all about the holiday destination you’re about to experience. Track 2 & 3 are the alternative mix (2:30) and a short edit (1:20)

4. By The Pool 2:36
Slow funky sound which didn’t conjure up visions of lounging by the pool to me, but rather a cool dude striding through a 70’s fancy dress party wearing a dodgy afro wig, moustache and flared trousers. Wouldn’t sound out of place on an episode of Starsky & Hutch. Track 5 & 6 are the alternative mix (2:36) and a short edit (0:56)

7. Dressed To Impress 2:14
Get down to that that funky beat guitar again. Quite similar to the previous track though a little more purposeful and upbeat. It doesn’t go too far without another funky guitar rift so quite nice to edit to. The alternate version is a little less descriptive so might suit as a corporate video underscore better. Track 8 & 9 are the alternative mix (2:14) and a short edit (0:45)

10. Immaculate Design 2:18
We whiz forward a few decades with this track with a more contemporary slant to the funky medium tempo sound of previous tracks. There are more musical breaks in this track with swishy, swirling sound effects to edit to. Note the alternate mix is short this time too. Track 11 & 12 are the alternative mix (0:29) and a short edit (0:29)

13. Shape of Things To Come 3:07
Again this track has a more contemporary feel with strong drum rhythm and bass percussion driving the score along. Piano provides the main chorus with occasional orchestral stabs. There’s a strange whale-call sound sequence towards the end of the alternate mix so I reckon this would work well with a film with any link to the ocean. Track 14 & 15 are the alternative mix (3:07) and a short edit (1:06)

16. Ahead of the Curve 2:27
I’d call this one medium fast paced with a bit more of an electro beat to it – but still along the lines of a 70’s TV cop show with its funk guitar rifts. I think the alternate mix is a bit more useful this time as it’s a little more nondescript and intrusive. Track 17 & 18 are the alternative mix (2:27) and a short edit (0:25)

19. Designer Shades 2:12
A much smoother love-ballad sound to this medium-slow track. I can imagine Barry White laying his silky voice down to this. Swirling synth sounds lift it here and there mixed with another funky guitar chorus – but generally a steady tune throughout. Track 20 & 21 are the alternative mix (2:12) and a short edit (0:25)

22. Custom Build 2:37
Barry is back in the mix again as we stick with a smooth funky sound with orchestral swirls. Finding it hard not to confuse this with the previous track though – apart from the occasional break into castanets. Once again the alternate version might be a little more useful for corporate video. Track 23 & 24 are the alternative mix (2:37) and a short edit (0:34)

25. Catwalk 2:14
Out and out swing funk in a snazzy, jazzy kind of way. I feel cool just listening to this one. The reference to ‘cats’ in the title must be down to it conjuring up images of a cool cat dude striding confidently through your scene. It’s the kind of track that has you tapping your feet even though you might not want to. Track 26 & 27 are the alternative mix (2:14) and a short edit (0:43)

28. Life Imitating Art 2:30
Tubular bells meets echo-drum beat and funk guitar in this medium paced track. Once again I think the alternate score will be more useful as it’s less dominant than the main track and leans more on the tubular bells sound. Track 29 & 30 are the alternative mix (2:30) and a short edit (0:44)

 

AK160 Cut to the Beat Vol.8

AK160 Cut to the Beat Vo.8
AK160 Cut to the Beat Vo.8

It’s no wonder ‘Cut to the Beat’ has reached volume 8 as these alums will be the first ones you’ll turn to when you’re looking for something upbeat and driving on a corporate video. AK160 is a worthy addition to this range and will be ideal for corporate films, sports docs and anything where you want to create an impression of movement. Each of the six main tracks has an alternate mix and a sting – which is really handy for editing purposes.

1. Bright Light 4:22
Slow building electronic keyboard sound which builds in tempo. Flute swirls combine with electronic voice effects to give the track a very positive feel. Guitar strumming leads you on and upwards. The alternate score is upbeat from the start but is about a minute shorter. Track 2 & 3 are the alternative mix (3:19) and the sting (0:09)

4. Flyaway 4:23
Fast upbeat sound with slow keyboard passage underneath and lots of electro-pop drumbeats and edit points within it. You could imagine a night club scene with lots of fast cuts, lens flairs and erratic camera movement. It will have you reaching for the ecstasy – especially the alternative mix! Track 5 & 6 are the alternative mix (3:21) and the sting (0:15)

7. Firefly 4:11
This one is rapid – possible too much so. I found it quite difficult to listen to this one as its confusing – and that’s exactly the kind of story it will help you try and tell. I can imagine someone dashing here and there, obviously lost. There’s a hint of Blade Runner in there too and has that kind of futuristic sound to it. Track 8 & 9 are the alternative mix (2:11) and the sting (0:15)

10. Bigspace 4:20
Out and out euro club mix with swirling intro leading to heavier repetitive beat section. I almost broke out into my ‘big box little box’ dance routine listening to it. The alternate version is softer and half the length – and is a bit like the morning after the track before. Track 11 & 12 are the alternative mix (1:55) and the sting (0:11)

13. Stairs to the Galaxy 4:37
This one is upbeat again but a little more serious and urgent this time. It is very repetitive but breaks into a quiet segment halfway through which ends with a bang and back into the repetitive dance beat. Track 14 & 15 are the alternative mix (2:48) and the sting (0:12)

16. Prolever 4:08
Soft upbeat track with breaks into voice-effect sections. I can imagine the sun setting over some Ibiza beach scene listening to this one. Quite repetitive again but I guess most club-beat tracks are. There’s a swirling underscore to this which appears more prevalent in the alternative mix version. I can imagine shots of a production line in a factory working well with this. Track 17 & 18 are the alternative mix (2:48) and the sting (0:13)

 

Notes: You can preview both these albums on the AKM Music website – www.akmmusic.co.uk

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