Copyright-Free Music Review – AK164 & AK165

AK164 and AK165
Two new copyright-free albums from AKM Music

AKM Music – New Releases

AK164 – Media Toolkit & AK165 – Smile Be Happy

AKM Music has recently released two new albums that caught my eye as a business film producer – AK164 Media Toolkit and AK165 Smile Be Happy. I’m always interested in extending my copyright-free music archive as you can’t have too much of it when trying to find the right music score for your films. These two albums fall into two very different camps.

Before I move on to talk about these albums, I need to quickly mention a special ‘End of Tax Year’ offer from AKM Music which runs out on 4th April. If you buy 3 or more CDs or CD downloads you can get an amazing 35% off! All you have to do is use this promo code at the checkout CDOFF14.

Get a great deal on AKM Music - offer ends VERY SOON!
Get a great deal on AKM Music – offer ends VERY SOON!

To give you inspiration you might want to check out some of my other reviews of their music – Here, herehere and here!

AKM 164 – Media Toolkit

This album is a collection of sound effects to help you emphasise movement, edits and graphical on-screen action within your films. But their use goes beyond this and can help tell your story and create tension or generally add depth to your soundtrack. It’s important for me to say that this is not a collection of Foley effects (sound effects which are used to synchronise on screen action – such as doors closing or windows breaking) but rather evocative synthesised effects. There’s a great Wiki page on the full scope and use of Sound Effects, but needless to say this album is still a worthy addition to your collection.

AK164 Media Toolkit
AK164 Media Toolkit

The album is grouped into nine types of effects ranging from Hits, Whooshes, Stabs and Explosions to Transitions, Underscores and Soundbeds. The Underscores and Soundbeds sections seem a little out of place to me as they’re basically musical arrangements for use as underscores for live action sound or voiceovers. Don’t get me wrong, they’re still useful and produced to the same high standard that we are used to from AKM Music – but they’re not, in my mind, true sound effects.

In the past I’ve had to mess about creating these kind of synthetic sound effects from scratch and, whilst very satisfying, can take an incredible amount of time which you rarely get paid for and more often than not go unnoticed (if they are done right!). It’s also worth saying that I don’t get the opportunity (or desire) to use sound effects on every film I produce – but when you do need them they’re very useful indeed.

I can see AKM 164 being my go-to album whenever this need arises. It’s going to be particularly useful on opening/closing title sequences and graphics where I want to emphasise an animation. There are also some very handy transitional sounds that will help link scenes together.

AK165 – Smile Be Happy

This one was quite a surprise to me – and a pleasant one at that. I was expecting to hear the usual collection of bright, upbeat and jovial scores to help you add a sense of fun or even comedy to a film. What you actually get is a collection of music that’s got a very wide programme-type appeal – and will no doubt suit as the main theme on wedding films and documentaries as well as corporate films that need a gentle sense of fun about them.

AK165 Smile Be Happy
AK165 Smile Be Happy

Each track has a full version plus at least two shorter versions (60-second and 30-second). Some of the tracks also come with alternative edits too. I really appreciate having these shorter and alternate edits to hand and will often mix between them in post when I’m cutting a track to a specific length.

Apart from one track (‘Summer in New York’ – which doesn’t quite fit in for me), they all follow a similar theme which conjures up visions of New England or Shaker-style buildings on warm summer days. Quite a few contain voice or whistle effects, so give a very happy, carefree feeling. I’ve seen quite a few really great wedding films lately and they’ve all used similar music to this. The title track, ‘Smile Be Happy’ is probably the best example of this.

The tracks are all mid-tempo with either ukulele/banjo, acoustic guitar or piano as lead instrument. The music is simple, without masses of instruments mixed together but rather something that two or three people could perform live. The ones containing voice effects are very non-descriptive and contain the occasional, “whoo hoo”, “dum dum” or “la la la” type voice sounds – so are completely language-agnostic.

As I said earlier, this album is going to appeal to a very wide range of programme types. In fact I can’t say for sure that I’ve not already heard it being used on a wedding film – or maybe even a TV commercial or two (the latest Lloyds Bank animated one uses something very similar). I have a project in mind for it right now. For the past couple of years I’ve been thinking of making a documentary about beekeepers (being one myself) and one of the tracks on this album would be perfect for it – giving the film a happy, gentle, earth-friendly feel about it.

Conclusion

Whilst you’d probably not find these two albums appearing on the same film, they are both worthy of shelf space in your copyright-free music archive. ‘AK165 – The Media Tool Kit’ might be a something that you buy and only very occasionally need – but when you do need it there’s nothing else that’s going to hit the spot.

‘AK165 – Smile Be Happy’ on the other hand is going to appeal to a much wider audience and, I dare say, will be one of AKM best sellers over time.

Kevin Cook F.Inst.V. (Hon.)

Additional Info – AKM Music at BVE

I recently caught up with Anthony McTiffen, the man behind AKM Music at the BVE exhibition at Excel. I was there to interview those exhibitors who had products and services aimed specifically at the professional videographer and it gave me the opportunity to quiz Anthony about the benefits of using copyright-free / royalty-free music within your productions. Click here to see the full collection of short interviews filmed at BVE.

Filming a Team Building Event

Filming a Team Building Event
The story behind filming a team building event

2014 kicked off with us filming a team building event hosted by CAT Publications – namely the ‘M&IT Agency Challenge’ held at the Landmark Hotel in Central London. As publishers of Meetings & Incentives Travel Magazine, these events bring together buyers and sellers from within the corporate travel industry for a fun-packed day of activities and presentations.

This is the second time we’ve been engaged to film one of these tremendously successful events (see here). Through better engagement buyers get a clearer understanding of the range of services and destinations available to them – whilst suppliers are provided with the opportunity to build better relationships with new and existing clients. Going by the feedback from all attendees and the general atmosphere I think CAT Publications have got the mix of learning and fun in the right proportions – and it was great to be part of it.

More than just filming a team building event

Filming a team building event presents its own challenges, but in addition at these events we also supply video camera kits for the teams of delegates to use in one of the many challenges which they have to complete during the day. The video challenge this time was to create a 30-second commercial based on any one of the supplier presentations given on the day. If that wasn’t challenging enough, they only had 30-minutes in which to plan, script and shoot it!

Thankfully for them they didn’t have to edit it too. That was left to me and meant that I had to complete the edit on all six team videos only an hour or so after the last team finished filming so they could be judged and then screened later on in the evening during a gala dinner.

Whilst I was tucked away in a separate break-out room for much of the day either editing or briefing teams on how to use the cameras, my wingman for the day, Dilip Patel, was doing the ‘filming a team building event’ bit. This was far from filming entire coverage of each and every presentation and team challenge but rather gathering enough b-roll material so that I could cut together a 3-minute short documentary of the day.

Filming b-roll
Dilip filming b-roll

The narrative was achieved by filming an opening and closing piece with Martin Lewis, the Managing Editor of CAT Publications. Luckily Martin is a natural in front of camera and he also acted as interviewer at the end of the day to capture some of the feedback from delegates which helped us tell the whole story.

Video Challenges

The video challenges were staggered throughout the day, with either one or two teams doing this challenge at any one time. This started off with me giving them a very brief introduction to the cameras they’d be using. Once again we’d relied on Hireacamera to supply Canon XF105 cameras which were configured in full-auto mode to free up the teams from having to learn how to control focus, exposure and sound levels. Once they’d started creating their films I would then follow the teams to make sure they didn’t have any technical issues and, at the same time, capture of few shots of them creating their films to add to my b-roll. Thankfully these cameras are extremely easy to use in full-auto mode and didn’t present any problems for the teams who were working to an extremely tight deadline.

I’d installed my backup desktop Edius edit suite in my breakout room and, thankfully, none of the teams presented me with too much of an editing challenge – although not one of them managed to stick to the 30-second duration. This was one of the criteria the films were being judged on so no one managed to get an advantage in this respect.

Once the judging was completed I had to then get the files out in a format that the staging company could play out later that evening. There were one or two challenges with this but we got there in the end. The result was it created a fun opening to the gala dinner that evening where each team got to see their own film, and the other team’s, for the first time.

Kit used for the event documentary

Canon 5D DSLRs are great for filming a team building event but even they struggled under a range of challenging lighting conditions. In the main presentation area the staging company were using those wonderful blue LED lights to create a wash of light around the room – and this was coupled with natural daylight from windows and mix of tungsten and fluorescent house lights. No matter how hard you try it’s impossible to get a really accurate white balance under those conditions. During the evening events we had to work pretty much under candlelight alone. Other than that it was perfect!!!

Filming a Team Building Event lighting
Working with available light

Happy clients

Will we be filming a team building event for CAT Publications again? You bet! Plans are already underway for another one in the not too distant future. Like anything in life the more you do something the better you get at it. Whilst we managed to tick all the boxes for CAT Publications again this time we’ve got some ideas on how the video challenges can be improved further.

If you are thinking of running a team building event or corporate away day in the future and are looking for a fun and productive way in which to engage your delegates – and at the same time capture the event on film for future promotions – then please give us a call.

5-top tips on producing an online promotional video

Online promotional video

5-top tips for online promotional video

Here are my top five top tips for creating online promotional video content for your business which will help you to engage with customers and generate new business. Having video on your business website has become a vital part of SEO (Search Engine Optimisation). All else being equal, a website that includes video content will rank higher than one without video.

I would of course recommend engaging a professional production company to produce your online promotional video. But I’m equally aware that some companies and organisations might prefer to start off by producing their own content in-house – if only as a proof of concept. The following five tips should help these organisations in the process and enable them to start harnessing the power of video on their website.

1 – Short, sweet and on message

Online promotional video - Clock
Time waits for no man

Don’t take liberties with your audience’s time. Decide what you want your online promotional video to achieve and don’t waste a second of your film deviating from it. Our attention spans have become extremely short and you will lose an audience the moment you stop engaging them. There is no minimum time an online promotional video should run for so if you can get your message over in a few seconds then do.

2 – Viral qualities

There’s a lot of talk about video content going viral and reaching millions of viewers in a very short period of time. Whilst this often happens with funny or current news clips on YouTube, gathering viral momentum for an online promotional video is extremely challenging.

Online promotional video viral
Making your online promotional video go viral

However, you can certainly increase your chances of your video content going viral within a target market sector. The simplest way to make your target audience to want to share your online promotional video it will have to be full of valuable information and of sector-wide relevance or interest. Only add humour to your video if you are confident that it will not offend anyone – and only if it’s actually funny and not just to you!

3 – Hosting on YouTube

Whilst there are plenty of places you can host your online promotional video these days the one that is going to help you most in achieving better SEO is YouTube – because it is part of Google and used by them in search returns. When you upload your file make sure you give it an SEO-friendly name. Think if what your intended audience is searching for on Google use that within the title and also within the additional description. Also, always use YouTube’s tagging facility to its maximum capacity with both long and short word descriptions of your content and the audience it’s aimed at. But beware! Don’t be tempted to include copyright music on your online promotional video as YouTube will detect it and will often remove content altogether.

4 – Spread the word

Once you have your online promotional video up on YouTube you need to spread the word about it. The first stage of this is to embed the YouTube version on the main splash page of your site – and enable it to play within that webpage. You should then share the news about your video through all your online social and business networking channels and post copies there if you can.

Social Networking Online promotional video
Sharing is good!

Finally, make sure you tell all your existing clients, suppliers, colleagues and friends about it and ask them what they think and to ‘Like’ it if they do.

5 – Do it!

If you have read this far then you’ve already realised that producing an online promotional video would be a great idea for your business. However, the problem with great ideas is that they’re useless unless you put them into action. If you are still determined to produce the film yourself then start by writing out your script and then set about planning the shooting and editing stage. If you are a complete video-novice there are plenty of free online resources that will cover the basics of how to shoot and edit video. One of the best of these can be found on www.videoskills.net

If you want to produce an online promotional video, but don’t have the time or inclination to learn the basic skills, then maybe it’s time to bring in the professionals who can do it all for you. You might be surprised at just how cost-effective this is. If you are at this stage then please feel free to contact us for a no-obligation consultation.

A simple but effective website promotional film

Just before I went off on annual leave at the beginning of September I completed another website promotional film – this time for IT sales recruitment specialists, Robertson Sumner.

Robertson Sumner
Creating a Website Promotional Film for Robertson Sumner

Robertson Sumner is amongst the growing number of businesses who recognise the vitally important role that a website promotional film can play in raising their Internet visibility. In addition to helping to maintain their search engine rankings, this video will also form part of their general marketing activities and used to promote their business through social networking channels.

But apart from the fact that a website with video content will rank higher than one that doesn’t, commissioning a website promotional film can also help businesses of all sizes to augment their brand and communicate their business culture. People buy from people, and there is no better way to introduce potential clients to the key people and values within a business than to get them on-screen with a short personal pitch.

I think this is a good example of how simple and effective a website promotional film can be. Running for just 1-minute 44-seconds, Robertson Sumner’s managing director, Marc Sumner, gives an introduction to their specialist IT sales recruitment business based in Gerrards Cross. It explains who they are, what they provide and why so many major IT companies choose Robertson Sumner as their preferred recruitment consultancy.

Filmed, edited and mastered in just two days, it’s also a great example of just how cost effective and pain-free it can be to commission a website promotional film. Following a familiar production format it was also easy for us to provide Robertson Sumner with an accurate and realistic quotation over the phone – resulting in the film going from enquiry to delivery stages in very quick succession.

The making of this website promotional film

The film was shot at their Gerrards Cross offices. Whilst these were very neat, tidy and professional, Marc Sumner wanted his presentation to be filmed against a greenscreen and keyed over an alternate office background – similar to a previous film we produced for another recruitment company, Hyper Recruitment Solutions. The advantages of this are that we have more control over the finished look of the film and create minimal interruption to their real office in having to move furniture and fixings around which might prove to be distracting to the viewer.

Greenscreen shooting
Shooting Greenscreen for Robertson Sumner

The film was shot on a Canon 5DMkii (running Magic Lantern software) using Canon EF 24-105mm 1:4 USM lens against our pop-up greenscreen.  All post production and keying was carried out using Edius 6.5. The office image was supplied by www.iStock.com under licence and was then manipulated in PhotoShop by adding the Robertson Sumner logo to the glass partition wall and colour grading to match the shot of Marc.

Composition
The finished composition after greenscreen keying

Needless to say we have another happy website promotional film customer who is now benefiting from the power of video in their marketing activities.

Eiger Safety promotional video wins video of the month

I was really pleased to hear that one of my promotional videos for Eiger Safety has won the IOV’s ‘Video of the Month’ (VOTM) competition in May 2013.

The full story behind this film, and other promotional videos, was the subject of a previous blog. Since then I’ve also been shooting a longer form documentary about the company which will be launched later this year alongside a new website which Eiger Safety are producing.

The quality and range of entries for the IOV’s VOTM has been quite extensive since it was first launched back in January this year.  As there are no rules as to content my Eiger Safety film would have been up against all manner of entries from within the IOV’s membership.  And this would not have been restricted to just promotional videos – but also wedding films, documentaries, event coverage and just about every other avenue of work that the IOV membership is involved in.

I think VOTM is a great idea (well done John De Rienzo for getting it off the ground). It gives producers of promotional videos like myself (and other types of producers) a regular means to promote and measure their work.  There’s also a nice little cash prize in it which helps cover those small kit impulse purchases that I seem to be making quite frequently these days.

Not just promotional videos

There’s more to come from Eiger Safety as MD, Paul Jaffe, is planning a charity fund raising attempt at climbing the north face of the Eiger in 2014 and has asked me to make a film about it.  I must quickly add that this will not involve me making the climb myself but rather Paul’s preparations and training.  We are also talking about me filming the start of the climb and his final approach to the summit – so it will involve some altitude work and no doubt some spectacular scenery.

Eiger Safety on the chains at Clifton Suspension Bridge
You have to be comfortable at height to do this – believe me!

When you produce a promotional videos for companies you never know where things might lead to.  However, I never expected to be strapped in harnesses, abseiling or thinking about filming someone climbing the north face of the Eiger.